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Francisco Goya
Self-Portrait in the Studio
mk52
c.1791-2
Oil on canvas
42x28cm
Academia di San Fernando,Madrid
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Francisco Goya
Self-Portrait
mk52
c.1815
Oil on canvas
46x35cm
Prado,Madrid
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Francisco Goya
Full-length Portrait of the Countess of Chinchon
mk67
Oil on canvas
86 5/8x55 1/8in
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Francisco Goya
Portrait of the Bullfighter Pedro Romero
mk67
Oil on canvas
20 7/8x16 1/2in
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Francisco Goya
Details of The Burial of the Sardine
nn05
Days when barriers fell
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Francisco Goya
The Burial of the Sardine
nn05
after 1812
Heathen carnival dance
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Francisco Goya
Details of The Burial of the Sardine
nn05
The duchess bozzed in seedy bars
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Francisco Goya
Details of The Burial of the Sardine
nn05
Death in the guise of a bull
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Francisco Goya
Details of The Burial of the Sardine
nn05
From bon vivant to lone wolf
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Francisco Goya
The Clothed Maja
mk68
Oil on canvas
Madrid,Prado
c.1798-1805
Spain
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Francisco Goya
The Naked Maja
mk68
Oil on canvas
Madrid,Prado
c.1798-1805
Spain
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Francisco Goya
Portrait of the Family of Charles IV
mk68
Oil on canvas
Madrid,Prado
1800-1801
Spain
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Francisco Goya
The Colossus or Panic
mk68
Oil on canvas
Madrid,
Prado
c.1808
Spain
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Francisco Goya
The Third of May 1808
mk 68
Oil on canvas
Madrid,
Prado
1814
Spain
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Francisco Goya
Self-Portrait
mk68
1815
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Francisco Goya
The Forge
mk76
Painted between c.1815 and 1820
Oil on canvas
71 1/2x49 1/4in
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Francisco Goya
Details of the forge
mk76
Painted between c.1815 and 1820
Oil on canvas
71 1/2x49 1/4in
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Francisco Goya
Don pedro,duque de osuna
mk76
Painted probably between 1790 and 1800
Oil on canvas
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Francisco Goya
Funeral of a Sardine
mk126
1812-19
Oil on wood
82.5x62cm
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Francisco Goya
An Officer
mk29
63.2x48.9cm
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| Francisco Goya
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1746-1828
Goya is considered the 18th Century's foremost painter and etcher of Spanish culture, known for his realistic scenes of battles, bullfights and human corruption. Goya lived during a time of upheaval in Spain that included war with France, the Inquisition, the rule of Napoleon's brother, Joseph, as the King of Spain and, finally, the reign of the Spanish King Ferdinand VII. Experts proclaim these events -- and Goya's deafness as a result of an illness in 1793 -- as central to understanding Goya's work, which frequently depicts human misery in a satiric and sometimes nightmarish fashion. From the 1770s he was a royal court painter for Charles III and Charles IV, and when Bonaparte took the throne in 1809, Goya swore fealty to the new king. When the crown was restored to Spain's Ferdinand VII (1814), Goya, in spite of his earlier allegiance to the French king, was reinstated as royal painter. After 1824 he lived in self-imposed exile in Bordeaux until his death, reportedly because of political differences with Ferdinand. Over his long career he created hundreds of paintings, etchings, and lithographs, among them Maya Clothed and Maya Nude (1798-1800); Caprichos (1799-82); The Second of May 1808 and The Third of May 1808 (1814); Disasters of War (1810-20); and The Black Paintings (1820-23).
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